The 7th Annual New York Baltic Film Festival (NYBFF) presented by Scandinavia House: The Nordic Center in America returns this November with the best new films from the Baltic region! This year’s lineup includes a Short Films Session with screenings of six short films, tw0 from each of the Baltic countries.

PROGRAM

On Weary Wings Go By (Linnud läinud) | Dir. Anu-Laura Tuttelberg, Estonia & Lithuania, 2024 | 11 min. |  No dialogue

In this wintery poem of Nordic nature, the sun moves low, and days shorten. Birds fly south, and porcelain animals and insects hide from the freezing wind and snow. Only a small porcelain girl wanders the abandoned landscape, with no way to get out.

Ootid (Ootidė) | Dir. Eglė Razumaitė, Lithuania & France, 2024 | 9 min. | In Lithuanian with English subtitles

Girls at summer camp raise different versions of what happened to one of their friends who had to leave the camp and go home.

The One Who Knows | Dir. Eglė Davidavičė, Lithuania & France, 2024 | 12 min. | No dialogue

Anxious teenager Ūla is taken on an unexpected adventure during swimming practice, in which she grows up and learns to see her body anew.

Blank Page Syndrome (Baltās lapas bieds) | Dir. Jānis Ābele & Toms Šķēle, Latvia, 2024 | 8 min. | In Latvian with English subtitles

In a world where printing machines spits out books relentlessly, a contrasting reality exists – amidst the noise of the city, a writer battles with despair, struggling to find words in front of a blank page.

The Weight of Light | Dir. Anna Hints, Estonia, 2024 | 20 min. | In Hindi with English subtitles

Surya, a teenage ragpicker, finds a camera on a huge garbage mountain in Delhi. The camera becomes her window to the untold stories of women surrounding her. Blending documentary and fiction, The Weight of Light focuses on a community of garbage collectors who try to find their place in the world amidst garbage and scorching heat.

Sacrificial Lamb | Dir. Uģis Olte, Latvia,  2024 | 17 min. | In Latvian with English subtitles

Moving to the countryside has not given Ildze the expected harmony. The child has been ill, her husband is frequently absent from home, and the inevitable closeness of robust Nature is like a sharp stone that presses the thin ice of her consciousness. No doubt it will break. The question is — how? And — what is at the bottom?